Can you introduce yourself and explain your background?
In 2020, I took over the family costume jewelry business: Anica. Having grown up in the world of casting and goldsmithing alongside my parents, I learned the trade alongside them. Every stage of this apprenticeship and every moment of continuing education have contributed to shaping a precious savoir-faire: the creation of unique jewels handed down from generation to generation. Between the workshop in Percy and the boutique in Villedieu-les-Poêles, I strive to perpetuate the family heritage. This workshop used to be my grandfather’s stable, where he took care of the horses. For me, working here was an obvious choice.
What does your job involve?
I wear a lot of hats! I’m the creator, designer and creator of the jewelry collections. I’m also a goldsmith’s model maker, which involves creating the prototype that will be used to make a mold. I then become a molder and caster to produce the jewelry using a pewter alloy.
What techniques do you use?
I’m a chaser, engraver, sculptor, polisher, crimper, enameler, molder, foundryman and welder. So I use all the techniques specific to these professions. I find in my work the pleasure of creating objects myself, each one unique. The creation of original jewelry demands great concentration and requires me to be able to empty my mind in order to be precise in my technical gestures. Foundry and silversmithing work is both technical and artistic. I enjoy this combination of know-how, design, research into ideas and trends. It’s this versatility and endless possibilities that make my job so appealing.